論文使用權限 Thesis access permission:自定論文開放時間 user define
開放時間 Available:
校內 Campus:開放下載的時間 available 2026-05-10
校外 Off-campus:開放下載的時間 available 2026-05-10
論文名稱 Title |
當代藝術品文化背景感知真實性對拍賣價格的影響 The Effect of Consumer Cultural Authenticity Perception on Contemporary Art Prices |
||
系所名稱 Department |
|||
畢業學年期 Year, semester |
語文別 Language |
||
學位類別 Degree |
頁數 Number of pages |
75 |
|
研究生 Author |
|||
指導教授 Advisor |
|||
召集委員 Convenor |
|||
口試委員 Advisory Committee |
|||
口試日期 Date of Exam |
2023-03-31 |
繳交日期 Date of Submission |
2023-05-10 |
關鍵字 Keywords |
文化身份、當代藝術、藝術品拍賣、感知真實性、政治消費主義、特徵價格 cultural identity, contemporary art, art auctions, authenticity perception, political consumerism, hedonic price |
||
統計 Statistics |
本論文已被瀏覽 186 次,被下載 0 次 The thesis/dissertation has been browsed 186 times, has been downloaded 0 times. |
中文摘要 |
消費者在全球化的市場中如何做選擇和判辨國際商品價值的議題日益重要,而此方面的研究仍有許多待討論的問題面向。在目前的研究中,學者提出消費者可能受到社會運動的影響而更加講究產品的真實性,但同時很難在鼓勵原創之餘,不促成刻板印象的消費和建立起負面的市場門檻。本論文使用定量研究方法分析當代藝術品的拍賣資料,就藝術作品主題的假設知識,進一步探討買家是否將藝術家的文化身份做為認定價值的指標。經由時間序列橫斷面銷售資料的特徵價格法分析,發現當代藝術品的價格和估價都與藝術家出生時的國籍呈現顯著的正相關。這個結果對於當代藝術界中身份認同政治的爭論,以及理解消費者在做選擇時如何辨識商品真實性和價值,都有值得深論的意涵。 |
Abstract |
The impact of globalization on how consumers choose and perceive value in products is an increasingly relevant issue for which there are still several aspects to explore. Research shows how consumers may be influenced by social activism to demand product authenticity, but still struggle to reward originality without buying into stereotypes and creating negative market thresholds. This thesis applies quantitative data in contemporary art sales to further investigate whether buyers associate value with the artists’ national origins in terms of assumed knowledge on the art subject. The findings from a hedonic pricing analysis of time-series cross-sectional sales data shows that both contemporary art prices and price estimates have a significant positive correlation to the artist’s nationality at birth. This has interesting implications for the debate of identity politics in contemporary art, as well as understanding how consumers may determine authenticity and value when choosing products. |
目次 Table of Contents |
論文審定書Thesis Validation Letter i 誌謝Acknowledgements ii 摘要 Abstract iii 目錄Table of Contents v 圖次 Table of Figures vi 表次 Table of Tables vii 1. Introduction 1 1.1 Research Motivation 1 1.2 Research Background 3 1.3 Research Question and Relevance 5 2. Literature Review 8 2.1 The Contemporary Art Market 8 2.2 Identity Politics in Contemporary Art 11 2.3 Societal and Cultural Influence on Consumer Demand 14 2.4 Consumer Authenticity Perception 16 2.5 Conclusion of Literature Review 19 3. Methodology 21 3.1 Data Sample 22 3.2 Empirical Method 30 3.3 Hedonic Pricing Model Background 33 4. Results 35 4.1 Descriptive Statistics 35 4.2 Regression Results 44 5. Conclusion 50 5.1 Discussion 50 5.2 Implications 52 5.3 Research Limitations 53 5.4 Future Research 55 References 57 |
參考文獻 References |
Abdul-Latif, S.-A., & Abdul-Talib, A.-N. (2017). Consumer racism: A scale modification. Asia Pacific Journal of Marketing and Logistics, 29(3), 616–633. https://doi.org/10.1108/APJML-02-2016-0026 adagp. (n.d.). Home Page | ADAGP. Adagp for Artist Rights. Retrieved March 9, 2023, from http://www.adagp.fr/en Andersson, D., Shyr, O., & Fu, C. (2010). Does high-speed rail accessibility influence residential property prices? Hedonic estimates from southern Taiwan. Journal of Transport Geography, 18, 166–174. https://doi.org/10.1016/j.jtrangeo.2008.10.012 Artnet Worldwide Corporation. (2022). Buy, Sell, and Research Contemporary Art Online: Artnet. https://www.artnet.com/ Ashenfelter, O., & Graddy, K. (2003). Auctions and the Price of Art. Journal of Economic Literature, 41(3), 763–787. Ashenfelter, O., & Graddy, K. (2006). Chapter 26 Art Auctions. In V. A. Ginsburg & D. Throsby (Eds.), Handbook of the Economics of Art and Culture (Vol. 1, pp. 909–945). Elsevier. https://doi.org/10.1016/S1574-0676(06)01026-X askART. (2023). AskART: Art prices, artist art auction records. https://www.askart.com/index.aspx Assouad, A., & Overby, J. (2016). The Impact of Culture on Customer Expectations. Journal of Management Policy and Practice, 17(2), 19–32. Balsiger, P. (2010). Making Political Consumers: The Tactical Action Repertoire of a Campaign for Clean Clothes. Social Movement Studies, 9(3), 311–329. https://doi.org/10.1080/14742837.2010.493672 Barlett, C. (2017, September 2). Post-Identity? CMATO. https://cmato.org/exhibition/exposed/post-identity/ Bartik, T. J. (1987). The Estimation of Demand Parameters in Hedonic Price Models. Journal of Political Economy, 95(1), 81–88. https://doi.org/10.1086/261442 Beggs, A., & Graddy, K. (2009). Anchoring Effects: Evidence from Art Auctions. American Economic Review, 99(3), 1027–1039. https://doi.org/10.1257/aer.99.3.1027 Chau, K. W., & Chin, T. L. (2002). A Critical Review of Literature on the Hedonic Price Model (SSRN Scholarly Paper No. 2073594). https://papers.ssrn.com/abstract=2073594 Clark, D., & Regan, P. (2016). Mass Mobilization Protest Data (David H. Clark, Ed.; Political Instability Task Force / CIA, Trans.; V5 ed.). Harvard Dataverse. https://doi.org/10.7910/DVN/HTTWYL Cotter, H. (2008, March 30). The Topic Is Race; the Art Is Fearless. The New York Times. https://www.nytimes.com/2008/03/30/arts/design/30cott.html Court, L. M. (1941). Entrepreneurial and Consumer Demand Theories for Commodity Spectra: Part I. Econometrica, 9(2), 135–162. https://doi.org/10.2307/1906875 Das, J., DiRienzo, C., & Tiemann, T. (2008). A global tolerance index. Competitiveness Review: An International Business Journal, 18(3), 192–205. https://doi.org/10.1108/10595420810905975 Dubuisson-Quellier, S. (2015). From targets to recruits: The status of consumers within the political consumption movement. International Journal of Consumer Studies, 39(5), 404–412. https://doi.org/10.1111/ijcs.12200 Ekelund, R. B., Jackson, J. D., & Tollison, R. D. (2015). Age and Productivity: An Empirical Study of Early American Artists. Southern Economic Journal, 81(4), 1096–1116. Galenson, D. W. (2003). The Life Cycles of Modern Artists: Theory, Measurement, and Implications (Working Paper No. 9539). National Bureau of Economic Research. https://doi.org/10.3386/w9539 Galenson, D. W., & Weinberg, B. A. (2000). Age and the Quality of Work: The Case of Modern American Painters. Journal of Political Economy, 108(4), 761–777. https://doi.org/10.1086/316099 Golden, T. (2001). Freestyle. Studio Museum in Harlem. Graburn, N. H. H. (1999). Ethnic and tourist arts revisited. In R. B. Phillips & C. B. Steiner (Eds.), Unpacking Culture: Art and Commodity in Colonial and Postcolonial Worlds (pp. 335–353). University of California Press. Hofstede Insights. (2022). Compare countries. Hofstede Insights. https://www.hofstede-insights.com/fi/product/compare-countries/ Hoskins, C., & Mirus, R. (1988). Reasons for the US dominance of the international trade in television programmes. Media, Culture & Society, 10(4), 499–515. https://doi.org/10.1177/016344388010004006 Hoskins, J., Verhaal, J. C., & Griffin, A. (2020). How within-country consumer product (or brand) localness and supporting marketing tactics influence sales performance. European Journal of Marketing, 55(2), 565–592. https://doi.org/10.1108/EJM-11-2018-0787 International Monetary Fund. (2021). World Economic Outlook (October 2022)—GDP per capita, current prices. https://www.imf.org/external/datamapper/NGDPDPC@WEO Kharchenkova, S., & Velthuis, O. (2018). How to become a judgment device: Valuation practices and the role of auctions in the emerging Chinese art market. Socio-Economic Review, 16(3), 459–477. https://doi.org/10.1093/ser/mwx057 Kreuzbauer, R., & Keller, J. (2017). The Authenticity of Cultural Products: A Psychological Perspective. https://journals.sagepub.com/doi/10.1177/0963721417702104 Lancaster, K. J. (1966). A New Approach to Consumer Theory. Journal of Political Economy, 74(2), 132–157. Lego, C. K., Wodo, N. T., McFee, S. L., & Solomon, M. R. (2002). A Thirst for the Real Thing in Themed Retail Environments: Consuming Authenticity in Irish Pubs. Journal of Foodservice Business Research, 5(2). https://doi.org/10.1300/J369v05n02_05 Liao S.-L., & Ma Y.-Y. (2009). Conceptualizing Consumer Need for Product Authenticity. International Journal of Business and Information, 4(1), 89–114. https://doi.org/10.6702/ijbi.2009.4.1.5 Lu, A. C. C., Gursoy, D., & Lu, C. Y. (2015). Authenticity perceptions, brand equity and brand choice intention: The case of ethnic restaurants. International Journal of Hospitality Management, 50, 36–45. https://doi.org/10.1016/j.ijhm.2015.07.008 Macrotrends LLC. (2023). Macrotrends | The Long Term Perspective on Markets. Macrotrends. https://www.macrotrends.net Moine, C., & Minguet, J. (2022). The Contemporary Art Market Report 2021. Artprice.com. https://www.artprice.com/artprice-reports/the-contemporary-art-market-report-2021 Moine, C., Minguet, J., & Ehrmann, T. (2022). The Art Market in 2021 (N. Ehrmann, Ed.). Artprice.com. https://imgpublic.artprice.com/pdf/the-art-market-in-2021.pdf MutualArt. (2023). MutualArt—Auctions, Exhibitions & Analysis for +644k artists. https://www.mutualart.com NamSor SAS. (2023). Gender Guesser Applied Onomastics. Gender Guesser. https://gender-guesser.com/gender-name/#gender-geo-batch Nunes, J. C., Ordanini, A., & Giambastiani, G. (2021). The Concept of Authenticity: What It Means to Consumers. Journal of Marketing, 85(4), 1–20. https://doi.org/10.1177/0022242921997081 Ortiz, I., Burke, S., Berrada, M., & Saenz Cortés, H. (2022). An Analysis of World Protests 2006–2020. In I. Ortiz, S. Burke, M. Berrada, & H. Saenz Cortés (Eds.), World Protests: A Study of Key Protest Issues in the 21st Century (pp. 13–81). Springer International Publishing. https://doi.org/10.1007/978-3-030-88513-7_2 Ouellet, J.-F. (2007). Consumer Racism and Its Effects on Domestic Cross-Ethnic Product Purchase: An Empirical Test in the United States, Canada, and France. https://journals.sagepub.com/doi/10.1509/jmkg.71.1.113 Overby, J. W., Woodruff, R. B., & Gardial, S. F. (2005). The influence of culture upon consumers’ desired value perceptions: A research agenda. Marketing Theory, 5(2), 139–163. https://doi.org/10.1177/1470593105052468 Quemin, A. (2013). International Contemporary Art Fairs in a ‘Globalized’ Art Market. European Societies, 15(2), 162–177. https://doi.org/10.1080/14616696.2013.767927 Quemin, A. (2015). THE IMPACT OF NATIONALITY ON THE CONTEMPORARY ART MARKET. Sociologia & Antropologia, 5, 825–856. https://doi.org/10.1590/2238-38752015v538 Regev, M. (2007). Cultural Uniqueness and Aesthetic. European Journal of Social Theory, 10(1), 123–138. https://doi.org/10.1177/1368431006068765 Renneboog, L., & Spaenjers, C. (2013). Buying Beauty: On Prices and Returns in the Art Market | Management Science. Management Science, 59(1), 36–53. https://doi.org/10.1287/mnsc.1120.1580 Roose, H., Roose, W., & Daenekindt, S. (2018). Trends in Contemporary Art Discourse: Using Topic Models to Analyze 25 years of Professional Art Criticism. Cultural Sociology, 12(3), 303–324. https://doi.org/10.1177/1749975518764861 Rosen, S. (1974). Hedonic Prices and Implicit Markets: Product Differentiation in Pure Competition. Journal of Political Economy, 82(1), 34–55. Sagot-Duvauroux, D. (2003). Art prices. A Handbook of Cultural Economics, Second Edition, 57–63. https://doi.org/10.4337/9781781008003.00011 Saltz, J., & Corbett, R. (2016, April 21). The Reviled Identity Politics Show That Forever Changed Art. Vulture. https://www.vulture.com/2016/04/identity-politics-that-forever-changed-art.html Stolle, D., & Micheletti, M. (2013). Political Consumerism—Global Responsibility in Action. In Political Consumerism: Global Resposibility in Action. https://doi.org/10.1017/CBO9780511844553 Suh, Y., Hur, J., & Davies, G. (2016). Cultural appropriation and the country of origin effect. Journal of Business Research, 69(8), 2721–2730. https://doi.org/10.1016/j.jbusres.2015.11.007 The Art Story Foundation. (2022). Identity Art & Identity Politics Movement Overview. The Art Story. https://www.theartstory.org/movement/identity-art/ The Getty Research Institute. (n.d.). Getty Union List of Artist Names (Research at the Getty). Retrieved March 9, 2023, from https://www.getty.edu/research/tools/vocabularies/ulan/ The Social Progress Imperative. (2022). Global Index 2022:Overview. https://www.socialprogress.org/download The World Bank Group. (2023). World Development Indicators | DataBank. https://databank.worldbank.org/source/world-development-indicators# United Nations. (2022). World Population Prospects—Population Division—United Nations. https://population.un.org/wpp/ Valev, N. (2023). Unemployment rate forecast by country, around the world. TheGlobalEconomy.Com. https://www.theglobaleconomy.com/rankings/unemployment_outlook/ Vredenburg, J., Kapitan, S., Spry, A., & Kemper, J. A. (2020). Brands Taking a Stand: Authentic Brand Activism or Woke Washing? Journal of Public Policy & Marketing, 39(4), 444–460. https://doi.org/10.1177/0743915620947359 Wikidata. (2023). Wikidata. https://www.wikidata.org/wiki/Wikidata:Main_Page Xie, P. F., Wu, T.-C. (Emily), & Hsieh, H.-W. (2012). Tourists’ Perception of Authenticity in Indigenous Souvenirs in Taiwan. Journal of Travel & Tourism Marketing, 29(5), 485–500. https://doi.org/10.1080/10548408.2012.691400 |
電子全文 Fulltext |
本電子全文僅授權使用者為學術研究之目的,進行個人非營利性質之檢索、閱讀、列印。請遵守中華民國著作權法之相關規定,切勿任意重製、散佈、改作、轉貼、播送,以免觸法。 論文使用權限 Thesis access permission:自定論文開放時間 user define 開放時間 Available: 校內 Campus:開放下載的時間 available 2026-05-10 校外 Off-campus:開放下載的時間 available 2026-05-10 您的 IP(校外) 位址是 3.143.218.180 現在時間是 2024-11-21 論文校外開放下載的時間是 2026-05-10 Your IP address is 3.143.218.180 The current date is 2024-11-21 This thesis will be available to you on 2026-05-10. |
紙本論文 Printed copies |
紙本論文的公開資訊在102學年度以後相對較為完整。如果需要查詢101學年度以前的紙本論文公開資訊,請聯繫圖資處紙本論文服務櫃台。如有不便之處敬請見諒。 開放時間 available 2026-05-10 |
QR Code |