Responsive image
博碩士論文 etd-0620123-001404 詳細資訊
Title page for etd-0620123-001404
論文名稱
Title
「孩子啊,媽會買單!」: 影響粉絲擬親人關係和擁有偶像NFT之動機探討
“Sweetie, I'll take the check!”: Research on Impacts Affecting Fans’ Motivations of Parakin Relationships and Idols’NFT Purchase.
系所名稱
Department
畢業學年期
Year, semester
語文別
Language
學位類別
Degree
頁數
Number of pages
139
研究生
Author
指導教授
Advisor
召集委員
Convenor
口試委員
Advisory Committee
口試日期
Date of Exam
2023-04-28
繳交日期
Date of Submission
2023-07-20
關鍵字
Keywords
迷群、社會比較、粉絲經濟、擬社會關係、擬親人關係、娛樂非同質化代幣
entertainment NFT, fan economy, fandom, parakin relationships, parasocial relationships, social comparison
統計
Statistics
本論文已被瀏覽 72 次,被下載 0
The thesis/dissertation has been browsed 72 times, has been downloaded 0 times.
中文摘要
NFT帶來另類粉絲經濟。本研究利用深度訪談法,探討自我導向、偶像導向動機粉絲-偶像擬親人關係,粉絲間的擬親人關係,以及擬親人關係形成後的社會比較,如何影響粉絲擁有偶像NFT的意願。本研究發現,自我導向、偶像導向動機會造成粉絲對偶像之擬親人關係,且粉絲會對偶像形成向上社會比較,這些動機與向上社會比較會促進他們購買偶像NFT的意願。此外,自我導向、他人導向動機形塑了粉絲之間的擬社會關係,他們之間的社會比較將刺激其購買偶像NFT之意願。本研究加入家庭關係、社會比較理論深化擬親人關係理論之建立,同時亦探索粉絲間形成擬社會互動、擬親人關係的動機與現象,討論影響擬親人關係粉絲購買偶像NFT之動機因素,更填補目前學界仍為少數的娛樂NFT研究。實務貢獻建議基於NFT特性,將目標客群設定為擬親人關係粉絲,並利用粉絲在自我導向中的「逃避與補償」、「身分獲取」、「自我成就」,與偶像導向之「娛樂滿意度」、「魅力吸引力」、「陪伴」,以及粉絲間的向上、橫向、向下社會比較動機,規劃偶像NFT內容與行銷策略,推出滿足粉絲需求的NFT項目,強化擬親人關係粉絲購買意願。
Abstract
NFT brings an alternative fan economy. This study uses in-depth interviews to explore the relationship between fans and idols with self-oriented and idol-oriented motivations, and discusses the relationship between fans. This study also explore the social comparison after the formation of the relationship between fans and idols, and how it affects fans' willingness to own idols’ NFT. This study founds that self-orientation and idol-orientation may lead fans to develop the “Parakin relationship” between fans and idols, and fans will form an upward social comparison with idols. These motivations will promote their willingness to buy idols’ NFT. In addition, the motivation of self-orientation and friendship-orientation shapes the Parakin relationship between fans, and the social comparison between them will stimulate their willingness to buy idols’ NFT. This study not only deepens the theory of Parakin relationship, but also explores the Parasocial relationship and Parakin relationship among fans. This study also explores the motivations about fans' purchase of idols’ NFT, and tries to fill in the research on entertainment NFT that is still a few in academe.Furthermore, This study suggests that based on the characteristics of NFT, entertainments can take the Parakin fans as target audiences. Entertainments can make good use of fans' motivations about self-oriented of "escape and compensation", "identity acquisition" and "self-achievement".In addition, this study also suggests entertainments can use the motivations about idol-oriented "entertainment satisfaction", "charm attraction" and "companionship", and the social comparison motivations include upward, horizontal and downward to develop strategies and idols’NFT contents. To launch NFT projects to meet the needs of fans, and strengthen Parakin fans’ purchases.
目次 Table of Contents
論文審定書 i
誌謝 ii
中文摘要 iii
英文摘要 iv
第壹章 緒論 1
第一節 研究背景 1
第二節 研究動機 3
第貳章 文獻探討 9
第一節 NFT(Non-Fungible Token,非同質化硬幣) 9
第二節 迷文化 19
第三節 擬親人關係 25
第四節 社會比較 47
第參章 研究方法 51
第一節 研究設計 51
第二節 研究對象 52
第肆章 資料分析 55
第一節 粉絲-偶像擬親人關係 55
第二節 粉絲間的擬社會關係 68
第三節 擬親人粉絲擁有偶像NFT動機探討 78
第伍章 討論與建議 85
第一節 討論 85
第二節 研究貢獻 99
第三節 方法學反思與未來研究建議 105
參考文獻 110
附錄一、訪談同意書 126
附錄二、訪談大綱 127
參考文獻 References
尤騰毅(2021年3月24日)。瘋 NFT 加密!推特第一則貼文賣破 8 千萬天價,買家到底買到了什麼?。商業周刊。https://www.businessweekly.com.tw/business/blog/3005929
尹寧(2023年2月20日)。Web3的“隕落”,西下與東昇。陀螺財經。https://mp.weixin.qq.com/s/RCwBGOCGaoSs7rLuC02LWw
毛菁華、許鶯珠、方紫薇(2019)。臺灣大學生父母期待對發展,焦慮未定向之影響:生涯自我效能的中介效果。中華輔導與諮商學報。56。17-57。
王進安(2010)。「粉絲」暱稱及其語言規範。福建師範大學學報(哲學社會科學版),(2),125-129。
王嵩音(2019)。雖遠似近-親子關係維繫與溝通管道之分析。傳播與社會學刊,(47),55-85。
白玫佳黛(2021)。媽媽愛你:中國親媽粉、偶像產業、性別和親密烏托邦。《傳播與社會學刊》,57,127–158。
朱瑞玲、章英華(2001)。華人社會的家庭倫理與家人互動:文化及社會的變遷效果。華人家庭動態資料庫學術研討會〔學術研討會〕。臺北市,臺灣。
西昂翔(2023年3月14日)。Blur 能否真正帶來NFT 交易平台的變革?。鍊補手ChainCatcher。https://www.chaincatcher.com/article/2089222
何兆彬(2021年9月6日)。【點只加密貨幣咁簡單】娛樂圈公司NFT大搞作。信報。https://lj.hkej.com/lj2017/artculture/article/id/2905927/%E3%80%90%E9%BB%9E%E5%8F%AA%E5%8A%A0%E5%AF%86%E8%B2%A8%E5%B9%A3%E5%92%81%E7%B0%A1%E5%96%AE%E3%80%91%E5%A8%9B%E6%A8%82%E5%9C%88%E5%85%AC%E5%8F%B8NFT%E5%A4%A7%E6%90%9E%E4%BD%9C
吳志文、程景琳(2021)。父母心理控制與成年初顯期子女之社交焦慮:自我分化的中介影響。教育心理學報,53(2),359-382。
吳志文、葉光輝(2015)。工作自主經驗與父母教養行為:雙元自主性促進因素的範疇優勢性檢證。本土心理學研究。43。3-54。
吳孟道(2021)。虛擬資產皆可 [幣],非同質化代幣 (NFT) 交易會是新一波商機?。會計研究月刊,428,108-113。
吳嘉苓(2012)。訪談法。瞿海源、畢恆達、劉長萱、楊國樞編,社會及行為科學研究法(二):質性研究法,(頁33-60)。東華。
吹編輯(2021年5月21日)。血肉果汁機、吳卓源、朱約信陸續與OURSONG合作臺灣音樂NFT銷售模式。Blow吹音樂。https://blow.streetvoice.com/54738/
宋博鳳(2002)。成年前期手足關係之研究〔未出版之碩士論文〕。國立臺灣師範大學輔導與諮商研究所。https://ndltd.ncl.edu.tw/cgi-bin/gs32/gsweb.cgi/ccd=SP_Bx4/search?s=id=%22091NTNU0261008%22.&openfull=1&setcurrent=0
李岳庭(2018)。反思含攝文化下的Bowen理論及其運用在華人文化中。中華輔導與諮商學報。53,23-44。
李欣岳(2021年5月26日)。未來已來!廣告、訂閱模式後,不要錯過 NFT 的媒體浪潮。INSIDE。https://www.inside.com.tw/article/23640-the-potential-of-media-to-use-nft
李美枝(2001)。手足與朋友關係的內涵與功能:從猩種與人種的表現看演化的藍圖與文化的加工。本土心理學研究,16,135-182。
李莉(2010)主動或被動?-網絡時代粉絲身份再思考。東南傳播,10,90-91。
林士蕙(2021年3月17日)。一張圖檔賣 19 億! NFT 加密收藏,是炒作還是新商模?遠見雜誌。https://www.gvm.com.tw/article/78461
林士蕙(2022年3月22日)。臺灣最轟動的NFT社群,如何讓你邊玩、邊賺、邊考照?。遠見。https://www.gvm.com.tw/article/87988
林宏文(2022年3月11日)。每幅作品賣逾60萬元!27歲臺灣小子靠NFT藝術創作一年身價破億,他如何辦到的?。財訊。https://www.wealth.com.tw/articles/403e9601-765f-4be1-a1ff-5eb9688cc5fa
林玠均(2021年3月11日)。誰要買這個啦!推特執行長賣推文,「加密熱潮」新標的,NFT 是什麼?天下Web only。https://www.cw.com.tw/article/5109984
洪凱西(2021)。聊聊我所知道的 NFT-從他領域應用窺探表演藝術的可能未來。PAR 表演藝術雜誌,343,60-63。
孫敬(2022年12月20日)。Web3創作者看過來!一個好的NFT怎麼做?要怎麼行銷IP?關鍵在2大準備。數位時代。https://www.bnext.com.tw/article/73304/how-to-buld-a-sustainable-nft-in-web3-world
孫頌賢(2014)。家庭分化與家庭暴力經驗對愛情依戀的預測。教育心理學報,45 (3),349-366。
孫頌賢、施香如、蔡美香(2019)。家庭關係中親密與自主的平衡。中華輔導與諮商學報。56,1-15。
徐安立(2013)。大學生父母教養方式與自尊高低之相關研究[未出版之碩士論文〕。國立臺中教育大學諮商與應用心理學系。https://ndltd.ncl.edu.tw/cgi-bin/gs32/gsweb.cgi?o=dnclcdr&s=id=%22101NTCTC328009%22.&searchmode=basic
高敬原(2022年4月1日)。「妹宇宙」來了!張惠妹送13萬歌迷NFT,怎麼領?有哪些創新?疑問一次看。數位時代。https://www.bnext.com.tw/article/68381/asmeir-nft
高敬原(2022年4月2日)。狗爺進軍NFT!區塊鏈、SocialFi改變音樂生態,社群權力如何回歸創作者?。數位時代。https://www.bnext.com.tw/article/68392/socialfi-web2-web3-nft
高敬原(2022年7月7日)。三強聯手!臺灣首個Web3音樂NFT孵化器誕生,為臺灣音樂產業闢新路。數位時代。https://www.bnext.com.tw/article/70503/web3-music-nft-incubator
張映芬(2020)。父母心理支持/控制與國中生心理需求,動機涉入關係之分析。當代教育研究季刊,28(4),61-95。
張庭瑋(2021年12月23日)。區塊鏈、NFT當道!崛起中的「Web 3.0」將顛覆網路世界?。未來商務。https://fc.bnext.com.tw/articles/view/1924。
張庭瑋(2022年3月31日)。流量不再只被平台收割!創作者有機會靠著 NFT、聲音將內容直接變現。未來商務。https://fc.bnext.com.tw/articles/view/2103?utm_source=yahoo_news&utm_medium=fc_news&utm_campaign=rss_feed
陳宏志(2021)。區塊鏈科技應用對博物館數位著作蒐藏之影響與因應—以著作權代幣化後之可能法律議題為例。博物館學季刊,35(3),47-59。
陳昌蘭(2002)。兒童手足關係之探討。國教之聲,34(2),49-55。
陳建鈞(2022年1月7日)。去年NFT市場突破400億美元!人們瘋追捧的虛擬資產,卻代表被騙也沒人幫你?數位時代。https://www.bnext.com.tw/article/67201/nft-2021-40-billion
陳純德(2021)。漫談 NFT 與 VTuber: 數位發展新趨勢。臺灣經濟研究月刊,44(8),98-106。
程倚華(2023年1月6日)。甩脫NFT炒作標籤!EchoX進擊客戶關係管理,目標深耕會員經營市場。數位時代。https://www.bnext.com.tw/article/73526/nft-echox-jan-mag
經濟時事網。(2022年2月10日)。幣安揮軍娛樂圈 攜手韓YG娛樂 打造元宇宙生態圈。經濟時事網。https://www.potatomedia.co/post/d90e28e4-3ad9-4a3b-817d-18271ee17fe7
萬文隆(2004)。深度訪談在質性研究中的應用。生活科技教育月刊,37(4),17-23。
葛如鈞(2022年1月26日)。擁抱 NFT 社群,共同創造價值與愛——專訪《Tez Dozen》藝術者。Hahow好學校。https://hahow.in/contents/articles/61efa21db38cdb00075eef69
葛如鈞(2022年2月16日)。音樂與科技的完美結合,聲音NFT即將崛起——專訪林經堯。Hahow 好學校。https://hahow.in/cafeteria/articles/620c80e4de9a2c00069ae967
詹文男(2022年2月22日)。NFT 的趨勢與挑戰。經新聞。https://www.economic-news.tw/2022/02/NFT.html
趙志瀚(2021年10月9日)。加密藝術熱潮 王家衛《花樣年華》NFT以HK$428萬成交。The Value。https://hk.thevalue.com/articles/sothebys-auction-wong-kar-wai-in-the-mood-for-love-nft-leslie-cheung-jacket
劉怡均(2021年5月9日)。【加密貨幣】臺灣歌手吳卓源專輯NFT發行超夯 收藏價格已大翻30倍朱頭皮、陳芳語加入戰局。臺灣英文新聞。https://www.taiwannews.com.tw/ch/news/4199060
潘淑滿(2003)。質性研究:理論與應用。心理出版社。
蔡騏、毛娜(2009)。社會心理學視野中的「粉絲」研究。湖南城市學院學報,30(2)。58-62。
鄭芝珊(2021年12月18日)。搶進元宇宙 Demi-Human NFT展現強大社群力。經濟日報。https://money.udn.com/money/story/5635/5972144
鄭博仁(2022年5月7日)。【鄭博仁專欄】音樂NFT為創作者帶來全新曙光。數位時代。https://www.bnext.com.tw/article/68874/nft-music-bn-april
AC Capital(2022年8月10日)。音樂NFT:藝術與新技術的結合,會帶來怎樣的範式轉變?。PANews。https://www.panewslab.com/zh_hk/articledetails/3plp2xzz.html
Block Beats(2022年12月29日)。總結 NFT 的 2022:造神結束,細分開始。動區動趨。https://www.blocktempo.com/nft-market-2022-review/
Can Can(2022年6月14日)。未來十年,串流音樂會被音樂NFT取代嗎?。SOUND OF LIFE。https://zh.soundoflife.com/blogs/design/nfts-the-future-of-music-industry
Editor Jr.(2022年1月7日)。「動力火車」開進元宇宙!2022《都是因為愛》演唱會今晚發限量十組 NFT 雙人套票。動區。https://www.blocktempo.com/power-station-2022-concert-nft-limited-tickets-fansi/
Elponcho(2022年1月13日)。鏈新聞翻譯|1confirmation合夥人Richard Chen訪談整理。鏈新聞。https://abmedia.io/20220113-1confirmation-richard-chen
Fu,C.(2021年4月20日)。全球首個音樂數位收藏平台OURSONG推出NFT功能,強調創作者能在一碗泡麵的時間用手機完成NFT發行。COOL3C。https://www.cool3c.com/article/161147
Henry Jenkins.(2016)。文本盜獵者:電視粉絲與參與式文化(鄭熙青譯)。北京大學。(原著出版於1992年)。
Ifanr(2022年2月24日)。不用加密貨幣,這台自動售貨機上就能買到NFT。Ifanr。https://www.ifanr.com/1473403
James(2022年2月9日)。YG娛樂成幣安戰略合作夥伴!將合作開發韓流 NFT、鏈遊、元宇宙項目。動區。https://www.blocktempo.com/binance-announces-strategic-partnership-with-yg-entertainment/
Joe(2022年3月23日)。如何判斷 NFT 價值?從技術、功能、社群角度給你完整「分析框架」。動區。https://www.blocktempo.com/how-to-valuation-nft/
Joe(2022年4月20日)。2022 臺灣藝人&網紅《十大 NFT 排行榜》多數已破發,但有一個漲了28倍!。動區。https://www.blocktempo.com/taiwan-nft-leaderboard-with-star-or-kol/
KOL Radar (2022年3月15日)。抓住 NFT 社群趨勢脈動,網紅創造變現新模式。KOL Radar。https://blog.kolradar.com/2022/03/15/nft-kol/
Lai,V. (2021年7月13日)。音樂人NFT平台 OURSONG 發幣!「Ourcoin八月上線」,預告空投、挖礦計畫回饋社群。動區。https://www.blocktempo.com/nft-oursong-social-token-ourcoin-will-launch-in-august/。
Lee,M.(2021年3月24日)。臺灣樂壇首例!周興哲預告發行NFT音樂作品;NFT搜尋量直逼2017年ICO狂熱。動區。https://www.blocktempo.com/interest-in-nfts-has-reached-2017-ico-levels/
Liu(網頁未顯示日期)。讓音樂作品以NFT的形式拾回靈光——以Oursong為例。ZONE SOUND。https://zonesoundcreative.com/oursong-music-nft/
Natalia Wu(2023年3月3日)。NFT交易量創10個月新高!DappRadar:二月破20億鎂,超6成集中在Blur。動區動https://www.blocktempo.com/dappradar-web3-nft-trading-volumes-hit-2b-in-feb-highest-since-terra-crash/
Natalia Wu(2023年3月3日)。NFT交易量創10個月新高!DappRadar:二月破20億鎂,超6成集中在Blur。動區動趨。https://www.blocktempo.com/dappradar-web3-nft-trading-volumes-hit-2b-in-feb-highest-since-terra-crash/
Knowing新聞(2021年12月11日)。歌手畢書盡也趕上熱潮發行NFT!憑藉著高人氣15分鐘就售完。KNOWING新聞。https://news.knowing.asia/news/6b70d2a0-7499-484c-8f15-c55792141758
Sani(2022年1月30日)。【K社韓文小百科】韓國各大所屬社陸續進軍NFT產業,連電視台也把《無限挑戰》中的經典畫面作為NFT拍賣!。KSD韓星網。https://www.koreastardaily.com/tc/news/139661
SeeDao NFT Club @Gink5814 (2022年7月15日)。音樂NFT如何賦能創作者經濟——5款音樂NFT概述。PANews。https://www.panewslab.com/zh_hk/sqarticledetails/y3x7czr6.html
Teng(2023年1月10日)。2023 年NFT行業趨勢的預測:NFT-Fi爆發,垂直化市場趨勢來臨。深潮 TechFlow。https://www.binance.com/zh-TC/news/top/7357217
Wu,R.(2021年4月20日)。Julia 吳卓源「單曲NFT」開賣秒殺!臺灣新創 OURSONG 上線 NFT 製作、發行功能。動區。https://www.blocktempo.com/taiwanese-startup-oursong-launches-nft-services/
DailyView網路溫度計(2022年2月)。臺灣網友熱議10大NFT來了!周董潮牌「幻影熊」只排No.2。網路溫度計。https://dailyview.tw/Daily/2022/02/06
Graham(2023年3月14日)。Blur 宣布「支援手機介面」購買NFT!ETH 競標池鎖倉突破 1 億美元。動區動趨。https://www.blocktempo.com/blur-trading-platform-website-update/
Joe(2021年7月13日)。NFT平台 Nifty’s合作「華納兄弟新電影」!種子輪獲 1000 萬鎂、Mark Cuban也支持。動區。https://www.blocktempo.com/niftys-social-media-free-nft/
Abercrombie, N., & Longhurst, B. J. (1998). Audiences: A sociological theory of performance and imagination. Sage.
Abidin, C., & Ots, M. (2016). Influencers tell all. Unravelling Authenticity and Credibility in a Brand Scandal, 153-161.
Akgül, B. M. (2016). The reflections of smartphone use and recreational use of internet by high school students to leisure boredom and academic achievement. European Journal of Physical Education and Sport Science, 2(5).
Andrew R.C.(2021, March 29).NFTs and The Crypto Art Revolution‘Non-fungible tokens’let artists sell digital creations in a unique new way—and open a window on the nature of value. TIME, 38-43.
Ang, C.-S., & Chan, N.-N. (2018). Adolescents’ views on celebrity worship: A qualitative study. Current Psychology, 37(1), 139-148.
Animoca Brands. (2021, November 15).Animoca Brands and Cube Entertainment form joint venture for K-pop music metaverse and NFTs. Animoca Brands. https://www.animocabrands.com/animoca-brands-and-cube-entertainment-form-joint-venture-for-k-pop-music-metaverse-and-nfts
Aronson, E. (1980). The social animal. W. H. Freeman.
Aytulun, G., & Sunai, A. B. (2020). Parasocial interaction with media characters. Psikiyatride Guncel Yaklasimlar, 12(4), 494-506.
Azzman, T. S. A. T. M., & Manaf, A. M. A. (2017). Following Islamic Reality Show Personalities on Twitter: A Uses and Gratifi cation Approach to Understanding Parasocial Interaction and Social Media Use. Intellectual Discourse, 25(Special Is), 637-659.
Baek, Y. M., Bae, Y., & Jang, H. (2013). Social and parasocial relationships on social network sites and their differential relationships with users' psychological well-being. Cyberpsychology, Behavior, and Social Networking, 16(7), 512-517.
Bai, J., Mo, K., Peng, Y., Hao, W., Qu, Y., Lei, X., & Yang, Y. (2021). The relationship between the use of mobile social media and subjective well-being: the mediating effect of boredom proneness. Frontiers in psychology, 11, 568492.
Bailey, J. (2021, March 16).NFTs and Copyright. Plagiarism Today. https://www.plagiarismtoday.com/2021/03/16/nfts-and-copyright/
Ballantine, P. W., & Martin, B. A. (2005). Forming parasocial relationships in online communities. ACR North American Advances, 32, 197-201.
Batıgün, A. D., & Sunal, A. B. (2017). TV dizilerinde yer alan karakterlerle kurulan parasosyal etkileşim: Evlilik doyumu, psikolojik belirtiler ve bazı sosyo-demografik değişkenler açısından değerlendirme. Türk Psikoloji Dergisi, 32(79), 52.
Baym, N. K. (2007). The new shape of online community: The example of Swedish independent music fandom. First Monday, 12(8).
Bengtson, V. L., & Schrader, S. S. (1982). Parent-child relations. In D. J. Mangen & W. A. Peterson (Eds.), Research instruments in social gerontology (Vol. 2, pp. 115–128). MN: University of Minnesota Press.
Benjamin, L. S. (1996). A clinician-friendly version of the interpersonal circumplex: Structural Analysis of Social Behavior (SASB). Journal of Personality Assessment, 66(2), 248-266.
Blight, M. G., Ruppel, E. K., & Schoenbauer, K. V. (2017). Sense of community on Twitter and Instagram: Exploring the roles of motives and parasocial relationships. Cyberpsychology, Behavior, and Social Networking, 20(5), 314-319.
Bolton, S. J., & Cora, J. R. (2021). Virtual Equivalents of Real Objects (VEROs): A type of non-fungible token (NFT) that can help fund the 3D digitization of natural history collections. Megataxa, 6(2), 93-95.
Bond, B. J. (2016). Following your “friend”: Social media and the strength of adolescents' parasocial relationships with media personae. Cyberpsychology, Behavior, and Social Networking, 19(11), 656-660.
Brooks, S. K. (2018). FANatics: Systematic literature review of factors associated with celebrity worship, and suggested directions for future research. Current Psychology. Advance online publication. http://dx.doi .org/10.1007/s12144-018-9978-4
C. Hong.(2021, July 2). JYP Entertainment To Establish A K-Pop Based NFT Platform Business.soompi.https://www.potatomedia.co/post/d90e28e4-3ad9-4a3b-817d-18271ee17fe7
Calvo-Porral, C., Rivaroli, S., & Orosa-González, J. (2021). The influence of celebrity endorsement on food consumption behavior. Foods, 10(9), 2224.
Carter, J. D. (2018). Going Gaga: Pop fandom as online community of practice. University of Kentucky, Lexington, KY. https://uknowledge.uky.edu/ltt_etds/27
Caughey, J. L. (1984). Imaginary social worlds: A cultural approach. Lincoln: University of Nebraska Press.
Cavalcanti, R. C. T., Souza-Leão, A. L. M. de, & Moura, B. M. (2021). Fan affirmation: Alethurgy on an indie music fandom. Revista de Administração Contemporânea, 25(5).
Chan, K., & Prendergast, G. P. (2008). Social comparison, imitation of celebrity models and materialism among Chinese youth. International journal of advertising, 27(5), 799-826.
Choi, A. W. K. (2012). The relationship between family cohesion and intimacy in dating relationship: A study based on attachment and exchange theories (Outstanding Academic Papers by Students (OAPS). Retrieved from City University of Hong Kong, CityU Institutional Repository.
Chrisler, J. C., Fung, K. T., Lopez, A. M. and Gorman, J. A. (2013). Suffering by comparison: Twitter users’ reactions to the Victoria's Secret Fashion Show. Body image, 10(4), 648-652.
Chung, S., & Cho, H. (2017). Fostering parasocial relationships with celebrities on social media: Implications for celebrity endorsement. Psychology & Marketing, 34(4), 481-495.
Cicirelli, V. G. (1995). Sibling relationships across the life span.Plenum Press.
Ciecko, B. (2021, March 10).The Surging Demand for Digital Collectibles Could Offer a Lifeline for Cash-Strapped Museums—Here’s How. Artnet news. https://news.artnet.com/opinion/op-ed-digital-collectables-museums-1950808
Clark, M. (2021, August 18) NFTs, explained. The Verge. https://www.theverge.com/22310188/nft-explainer-what-is-blockchain-crypto-art-faq
Cohen, E. L., & Tyler, W. J. (2016). Examining perceived distance and personal authenticity as mediators of the effects of ghost-tweeting on parasocial interaction. Cyberpsychology, Behavior, and Social Networking, 19(5), 342-346.
Colliander, J., & Dahlén, M. (2011). Following the fashionable friend: The power of social media: Weighing publicity effectiveness of blogs versus online magazines. Journal of Advertising Research, 51(1), 313-320.
Coyne, S. M., McDaniel, B. T., & Stockdale, L. A. (2017). “Do you dare to compare?” Associations between maternal social comparisons on social networking sites and parenting, mental health, and romantic relationship outcomes. Computers in Human Behavior, 70, 335-340.
Crossman, A. L. (2016). An investigation into the relationship between celebrity attitudes, social comparison and social media use. Manchester Metropolitan University. https://e-space.mmu.ac.uk/id/eprint/617776
de Bérail, P., Guillon, M., & Bungener, C. (2019). The relations between YouTube addiction, social anxiety and parasocial relationships with YouTubers: A moderated-mediation model based on a cognitive-behavioral framework. Computers in Human Behavior, 99, 190-204.
de Jong Gierveld, J., Van Tilburg, T., & Dykstra, P. A. (2006). Loneliness and social isolation. Cambridge handbook of personal relationships, 485-500.
De los Santos, T. M., Amaro, L. M., & Joseph, N. T. (2019). Social comparison and emotion across social networking sites for mothers. Communication Reports, 32(2), 82-97.
Derbaix, M., & Korchia, M. (2019). Individual celebration of pop music icons: A study of music fans relationships with their object of fandom and associated practices. Journal of Consumer Behaviour, 18(2), 109-119.
Derrick, J. L., Gabriel, S., & Hugenberg, K. (2009). Social surrogacy: How favored television programs provide the experience of belonging. Journal of Experimental Social Psychology, 45(2), 352-362.
Erickson, S. E., & Dal Cin, S. (2018). Romantic parasocial attachments and the development of romantic scripts, schemas and beliefs among adolescents. Media Psychology, 21(1), 111-136.
Feasey, R. (2008). Reading heat: The meanings and pleasures of star fashions and celebrity gossip. Continuum, 22(5), 687-699.
Festinger, L. (1954). A theory of social communication processes. Human Relations, 7, 117-140.
Fietkiewicz, K. J., & Scheibe, K. (2017, August 23-25). Good morning... Good afternoon, good evening and good night: Adoption, usage and impact of the social live streaming platform YouNow. The 3rd International Conference on Library and Information Science, Sapporo, Japan. https://www.researchgate.net/profile/Siti-Farizwana-Mohd-Ridzwan-2/publication/328799708_A_Bibliometric_Analysis_of_Studies_on_Medical_Radiation_Workers_Active_Authors_Hot_Topics_and_Malaysian_Works_in_the_Research_Landscape/links/5d94046e92851c33e94e05ba/A-Bibliometric-Analysis-of-Studies-on-Medical-Radiation-Workers-Active-Authors-Hot-Topics-and-Malaysian-Works-in-the-Research-Landscape.pdf#page=95
Forward, S. & Frazier, D. (1997). Emotional blackmail. New York, NY: HaperCollins Publishers Inc.
Frederick, E. L., Lim, C. H., Clavio, G., & Walsh, P. (2012). Why we follow: An examination of parasocial interaction and fan motivations for following athlete archetypes on Twitter. International journal of sport communication, 5(4), 481-502.
Frederick, E., Lim, C. H., Clavio, G., Pedersen, P. M., & Burch, L. M. (2014). Choosing between the one-way or two-way street: An exploration of relationship promotion by professional athletes on Twitter. Communication & Sport, 2(1), 80-99.
Frederick, E., Lim, C. H., Clavio, G., Pedersen, P. M., & Burch, L. M. (2014). Choosing between the one-way or two-way street: An exploration of relationship promotion by professional athletes on Twitter. Communication & Sport, 2(1), 80-99.
Galbraith, P. W., & Karlin, J. G. (2012). Introduction: The mirror of idols and celebrity. In Idols and celebrity in Japanese media culture (pp. 1-32). Springer.
Giles, D. C. (2002). Parasocial interaction: A review of the literature and a model for future research. Media Psychology, 4(3), 279-305.
Giles, D. C. (2017). How do fan and celebrity identities become established on Twitter? A study of ‘social media natives’ and their followers. Celebrity studies, 8(3), 445-460.
Gong, W., & Li, X. (2017). Engaging fans on microblog: the synthetic influence of parasocial interaction and source characteristics on celebrity endorsement. Psychology & Marketing, 34(7), 720-732.
Han, B. (2017). Korean wave| K-pop in Latin America: Transcultural fandom and digital mediation. International Journal of Communication, 11, 20.
Henderson, S., & Spracklen, K. (2018). ‘Plus ça change, plus c'est la même chose’: Music promoting, digital leisure, social media and community. Leisure Sciences, 40(4), 239-250.
Hills, M. (2002). Fan cultures. Routledge.
Homans, G. C. (1958). Social behavior as exchange. American journal of sociology, 63(6), 597-606.
Hopkins, J. (2019). Communication, Culture, and Governance in Asia|“We Connect With People Through Stories”: Gender and Affective Labor in Momblogging. International Journal of Communication, 13, 20.
Hopkins, J. (2019).“We Connect With People Through Stories”: Gender and Affective Labor in Momblogging. International Journal of Communication, 13, 4702-4721.
Horton, D., & Richard Wohl, R. (1956). Mass communication and para-social interaction: Observations on intimacy at a distance. Psychiatry, 19(3), 215-229.
Hung, K. (2014). Why celebrity sells: A dual entertainment path model of brand endorsement. Journal of Advertising, 43(2), 155-166.
Hwang, K., & Zhang, Q. (2018). Influence of parasocial relationship between digital celebrities and their followers on followers’ purchase and electronic word-of-mouth intentions, and persuasion knowledge. Computers in Human Behavior, 87, 155-173.
Iannone, N. E., McCarty, M. K., Branch, S. E., & Kelly, J. R. (2018). Connecting in the Twitterverse: Using Twitter to satisfy unmet belonging needs. The Journal of Social Psychology, 158(4), 491-495.
Jang, W., & Song, J. E. (2017). The Influences of K-pop Fandom on Increasing Cultural Contact. Korean Association of Regional Sociology, 18(2), 28.
Jenkins, H. (2002). Hop on pop: The politics and pleasures of popular culture. Durham, NC: Duke University Press.
Jenkins, H., & Ito, M. (2015). Participatory culture in a networked era: A conversation on youth, learning, commerce, and politics. John Wiley & Sons.
Jenson J. (1992). Fandom as pathology: the consequences of characterization. In: Lewis LA (ed.) The Adoring Audience: Fan Culture and Popular Media. London: Routledge.
Jin, S. V., & Ryu, E. (2020). “I'll buy what she's# wearing”: The roles of envy toward and parasocial interaction with influencers in Instagram celebrity-based brand endorsement and social commerce. Journal of Retailing and Consumer Services, 55, 102121.
Kane, G. C., Johnson, J., & Majchrzak, A. (2014). Emergent life cycle: The tension between knowledge change and knowledge retention in open online coproduction communities. Management Science, 60(12), 3026-3048.
Kang, S., Dove, S., Ebright, H., Morales, S., & Kim, H. (2021). Does virtual reality affect behavioral intention? Testing engagement processes in a K-Pop video on YouTube. Computers in Human Behavior, 123, 106875.
Karbaum Padilla, G. (2018). Narrativas social media y el prosumidor mediático. Correspondencias & análisis, 8, 219-238.
Kassing, J. W., & Sanderson, J. (2009). “You're the kind of guy that we all want for a drinking buddy”: Expressions of parasocial interaction on Floydlandis. com. Western Journal of Communication, 73(2), 182-203.
Kim, H., Ko, E., & Kim, J. (2015). SNS users' para-social relationships with celebrities: social media effects on purchase intentions. Journal of Global Scholars of Marketing Science, 25(3), 279-294.
Kim, J., & Song, H. (2016). Celebrity's self-disclosure on Twitter and parasocial relationships: A mediating role of social presence. Computers in Human Behavior, 62, 570-577.
Kim, S., Hwang, S., & Kim, J. (2021). Factors influencing K-pop artists' success on V live online video platform. Telecommunications Policy, 45(3), 102090.
Kim, Y. J., Lee, J., & Lee, M. (2018). Purchasing behavior of K-pop idol goods consumers in Korea. Journal of Fashion Business, 22(6), 1-13.
Krause, A. E., North, A. C., & Heritage, B. (2018). Musician interaction via social networking sites: Celebrity attitudes, attachment, and their correlates. Music & Science, 1,1-11.
Kugler, L. (2021). Non-fungible tokens and the future of art. Communications of the ACM, 64(9), 19-20.
Labrecque, L. I. (2014). Fostering consumer–brand relationships in social media environments: The role of parasocial interaction. Journal of Interactive Marketing, 28(2), 134-148.
Lamb, M. E., Sutton-Smith, B., Sutton-Smith, B., & Lamb, M. E. (Eds.). (1982). Sibling relationships: Their nature and significance across the lifespan. Psychology Press.
Lee, J. E., & Watkins, B. (2016). YouTube vloggers' influence on consumer luxury brand perceptions and intentions. Journal of Business Research, 69(12), 5753-5760.
Leung, S. A., Hou, Z. J., Gati, I., & Li, X. (2011). Effects of parental expectations and cultural-values orientation on career decision-making difficulties of Chinese University students. Journal of Vocational Behavior, 78(1), 11-20.
Lin, R. (2018). Silver lining of envy on social media? The relationships between post content, envy type, and purchase intentions. Internet Research, 28(4), 1142-1164.
Liu, C., Zhang, Y., & Zhang, J. (2020). The impact of self-congruity and virtual interactivity on online celebrity brand equity and fans’ purchase intention. Journal of Product & Brand Management, 29, 783-801.
Madison, T. P., & Porter, L. V. (2016). Cognitive and imagery attributes of parasocial relationships. Imagination, Cognition and Personality, 35(4), 359-379.
Maneechaeye, P. (2021). The commodification of idol culture with a loot-boxes-style marketing strategy practice in Thai idol culture and aspects of consumer psychology toward uncertainties. Humanities, Arts and Social Sciences Studies, 21(2), 179-187.
Manzoor, A., Samarin, M., Mason, D., & Ylianttila, M. (2020). Scavenger Hunt: Utilization of Blockchain and IoT for a location-based Game. IEEE Access, 8, 204863-204879.
Marwick, A., & Boyd, D. (2011). To see and be seen: Celebrity practice on Twitter. Convergence, 17(2), 139-158.
Masip, P., Ruiz-Caballero, C., & Suau, J. (2019). Active audiences and social discussion on the digital public sphere. Review article. El profesional de la información, 28(2), 1699-2407.
McDaniel, B. T., Drouin, M., & Cravens, J. D. (2017). Do you have anything to hide? Infidelity-related behaviors on social media sites and marital satisfaction. Computers in Human Behavior, 66, 88-95.
Meier, A., & Johnson, B. K. (2022). Social comparison and envy on social media: A critical review. Current Opinion in Psychology, 45, 101302.
Milne, G. R., & McDonald, M. A. (1999). Sport marketing: Managing the exchange process. Jones & Bartlett Learning.
Mulyana, A., Briandana, R., & Ningrum, D. A. P. (2019). Social Construction Fandom as Cultural Industry Marketing of JKT 48 Fan Group. International Research Journal of Business Studies, 12(3), 257-266.
Munkes, J., & Diehl, M. (2003). Matching or competition? Performance comparison processes in an idea generation task. Group Processes & Intergroup Relations, 6(3), 305-320.
Nadini, M., Alessandretti, L., Di Giacinto, F., Martino, M., Aiello, L. M., & Baronchelli, A. (2021). Mapping the NFT revolution: market trends, trade networks, and visual features. Scientific Reports, 11(1), 1-11.
Obiegbu, C. J., Larsen, G., Ellis, N., & O’Reilly, D. (2019). Co-constructing loyalty in an era of digital music fandom: An experiential-discursive perspective. European Journal of Marketing, 53(3), 463-482.
Panova, T., & Lleras, A. (2016). Avoidance or boredom: Negative mental health outcomes associated with use of Information and Communication Technologies depend on users’ motivations. Computers in Human Behavior, 58, 249-258.
Panteli, N., & Sivunen, A. (2019). “I Am Your Fan; Bookmarked!” Members’ Identification Development in Founder-Led Online Communities. Journal of the Association for Information Systems, 20(6), 824-841.
Park, E., Yoo, W.-J., & Oh, I. (2019). The influence of star marketing and the design characteristics of'idol goods' on consumer responses and purchase intentions: focus on fandom culture. International Journal of Economics and Business Research, 18(1), 49-72.
Park, S. Y., & Baek, Y. M. (2018). Two faces of social comparison on Facebook: The interplay between social comparison orientation, emotions, and psychological well-being. Computers in Human Behavior, 79, 83-93.
Qi, G. Y., & Wang, Y. (2018). Investigating the building of a WeChat-based community of practice for language teachers’ professional development. Innovation in language learning and teaching, 12(1), 72-88
Riles, J. M., & Adams, K. (2021). Me, myself, and my mediated ties: Parasocial experiences as an ego-driven process. Media Psychology, 24(6), 792-813.
Saunders, S. (2001). Fromm's marketing character and Rokeach values. Social Behavior and Personality: an international journal, 29(2), 191-195.
Savage, M. E., & Spence, P. R. (2014). Will you listen? An examination of parasocial interaction and credibility in radio. Journal of radio & audio media, 21(1), 3-19.
Schachter, S. (1959). The psychology of affiliation: Experimental studies of the sources of gregariousness.Stanford Univer Press.
Schiffman, L. G., & Kanuk, L. L. (2004). Consumer Behaviour 8th edition Published by Prentice Hall. Upper Saddle River, NJ, 35-43.
Seregina, A., & Schouten, J. W. (2017). Resolving identity ambiguity through transcending fandom. Consumption Markets & Culture, 20(2), 107-130.
Sinclair, G., & Tinson, J. (2017). Psychological ownership and music streaming consumption. Journal of Business Research, 71, 1-9. https://doi.org/10.1016/j.jbusres.2016.10.002
Skues, J., Williams, B., Oldmeadow, J., & Wise, L. (2016). The effects of boredom, loneliness, and distress tolerance on problem internet use among university students. International Journal of Mental Health and Addiction, 14, 167-180.
Stever, G. S. (2009). Parasocial and social interaction with celebrities: Classification of media fans. Journal of Media Psychology, 14(3), 1-39.
Stever, G. S. (2017). Parasocial theory: Concepts and measures. The international encyclopedia of media effects, 1-12.
Stever, G. S., & Lawson, K. (2013). Twitter as a way for celebrities to communicate with fans: Implications for the study of parasocial interaction. North American journal of psychology, 15(2), 339-354.
Sun, Y., Wei, K. K., Fan, C., Lu, Y., & Gupta, S. (2016). Does social climate matter? On friendship groups in social commerce. Electronic Commerce Research and Applications, 18, 37-47.
Tesser, A., & Campbell, J. (1982). Self‐evaluation maintenance and the perception of friends and strangers. Journal of Personality, 50(3), 261-279.
Thorne, S. (2011). An exploratory investigation of the theorized levels of consumer fanaticism. Qualitative Market Research, 14(2), 160-173.
Tsay, M., & Bodine, B. M. (2012). Exploring parasocial interaction in college students as a multidimensional construct: Do personality, interpersonal need, and television motive predict their relationships with media characters? Psychology of Popular Media Culture, 1(3), 185.
Tsiotsou, R. H. (2015). The role of social and parasocial relationships on social networking sites loyalty. Computers in human behavior, 48, 401-414.
Tulloch, J., & Jenkins, H. (1995). Science fiction audiences: Watching doctor who and star trek. Psychology Press.
Turner, J. R. (1993). Interpersonal and psychological predictors of parasocial interaction with different television performers. Communication Quarterly, 41(4), 443-453.
Usher, B. (2015). Twitter and the celebrity interview. Celebrity studies, 6(3), 306-321.
Utami, R. H., Magistarina, E., Pratama, M., & Khasanah, A. N. (2021). Between boredom and frustration: Predictor of compulsive internet use. Jurnal Neo Konseling, 3(4), 13-19.
Vazquez, D., Wu, X., Nguyen, B., Kent, A., Gutierrez, A., & Chen, T. (2020). Investigating narrative involvement, parasocial interactions, and impulse buying behaviours within a second screen social commerce context. International Journal of Information Management, 53, 102135.
Velasco, J. R., & Manjón, S. G. (2022). The expression of boredom and unwanted loneliness on Twitch. Icono14, 20(2), 13.
Vogel, E. A., & Rose, J. P. (2016). Self-reflection and interpersonal connection: Making the most of self-presentation on social media. Translational Issues in Psychological Science, 2(3), 294.
Wang, L. F., & Heppner, P. P. (2002). Assessing the impact of parental expectations and psychological distress on Taiwanese college students.The Counseling Psychologist, 30(4), 582-608.
Warrender, D., & Milne, R. (2020). Social media, social comparison and mental health. Nursing times, 116(3), 58-61.
Wellman, M. L. (2021). Trans-mediated parasocial relationships: Private Facebook groups foster influencer–follower connection. New Media & Society, 23(12), 3557-3573.
Wills, T. A. (1981). Downward comparison principles in social psychology. Psychological bulletin, 90(2), 245.
Wood, N. T., & Burkhalter, J. N. (2014). Tweet this, not that: A comparison between brand promotions in microblogging environments using celebrity and company-generated tweets. Journal of Marketing Communications, 20(1-2), 129-146.
Xiang, L., Zheng, X., Lee, M. K., & Zhao, D. (2016). Exploring consumers’ impulse buying behavior on social commerce platform: The role of parasocial interaction. International Journal of Information Management, 36(3), 333-347.
Xu, H., Zhang, K. Z., & Zhao, S. J. (2020). A dual systems model of online impulse buying. Industrial Management & Data Systems, 120(5), 845-861.
Yan, Q., & Yang, F. (2021). From parasocial to parakin: Co-creating idols on social media. New Media & Society, 23(9), 2593-2615.
Young, R. A., Ball, J., Valach, L., Turkel, H., & Wong, Y. S. (2003). The family development project in Chinese Canadian families. Journal of Vocational Behavior, 62 , 287-304.
Yuan, C. L., Kim, J., & Kim, S. J. (2016). Parasocial relationship effects on customer equity in the social media context. Journal of Business Research, 69(9), 3795-3803.
Zafar, A. U., Qiu, J., & Shahzad, M. (2020). Do digital celebrities' relationships and social climate matter? Impulse buying in f-commerce. Internet Research, 30(6), 1731-1762.
Zaheer, L. (2019). Parasocial Interaction and Television Viewers in Pakistan. Journal of Behavioural Sciences, 29(1), 38-52
Zhao, S., & Wu, X. (2020). Motivations and consumption practices of fostered idol fans: a self-determination theory approach. Journal of Consumer Marketing, 38(1), 91-100.
Zsila, Á., Urbán, R., McCutcheon, L. E., & Demetrovics, Z. (2021). A new avenue to reach out for the stars: The association of celebrity worship with problematic and nonproblematic social media use. Psychology of Popular Media, 10(1), 105-114.
Zunera Malik & Sham Haidar. (2023). Online community development through social interaction — K-Pop stan twitter as a community of practice. Interactive Learning Environments, 31(2), 733-751.
電子全文 Fulltext
本電子全文僅授權使用者為學術研究之目的,進行個人非營利性質之檢索、閱讀、列印。請遵守中華民國著作權法之相關規定,切勿任意重製、散佈、改作、轉貼、播送,以免觸法。
論文使用權限 Thesis access permission:自定論文開放時間 user define
開放時間 Available:
校內 Campus:開放下載的時間 available 2025-07-20
校外 Off-campus:開放下載的時間 available 2025-07-20

您的 IP(校外) 位址是 3.15.229.113
現在時間是 2024-05-02
論文校外開放下載的時間是 2025-07-20

Your IP address is 3.15.229.113
The current date is 2024-05-02
This thesis will be available to you on 2025-07-20.

紙本論文 Printed copies
紙本論文的公開資訊在102學年度以後相對較為完整。如果需要查詢101學年度以前的紙本論文公開資訊,請聯繫圖資處紙本論文服務櫃台。如有不便之處敬請見諒。
開放時間 available 2025-07-20

QR Code